This pickup started a sound revolution. Replacement pickups simply didn’t exist before the invention of the Super Distortion® in the early Seventies. The Super Distortion was the first pickup specifically designed to kick a tube amp into total overdrive, and is still the standard by which all other high-output pickups are measured.
The Super Distortion® has a perfect blend of power and tone: both single-notes and chords jump out of the amp and fill the room (or the track) with a wall of sound. The balance of tones is classic — thick, boosted mids, big lows and fat highs. This is the sound you’ve heard for over three decades on platinum records, from players as varied as Ace Frehley, Al Di Meola, and Paul Gilbert. It’s also versatile: 4-conductor wiring allows instant access to Strat®-like split and series-parallel modes.
The Super Distortion® is primarily a bridge position pickup, although it can be used in the neck position with a relatively low-gain amp. Specifically designed for solid-bodies: hollow and semi-hollow guitars can be hard to control with warm, high output pickups.
As a 4-conductor pickup, it's extremely versatile. Coil-splitting produces a very Strat®-like option, both in tone and power. Parallel wiring is similar to splitting, but it's still humbucking and a little more hollow-sounding; Paul Gilbert used to use two Super Distortion® pickups wired in parallel when he was in Racer X.