Taylor Special Edition Next Generation K22ce 12-Fret Grand Concert Electro Acoustic Guitar in Shaded Edgeburst - Taylor-Next-Generation-K22ce-12-Fret-Special-Edition-1203266094-FrontRight-2026 cropped.jpg
K22CE-12F-KOA

Taylor

Taylor Special Edition Next Generation K22ce 12-Fret Grand Concert Electro Acoustic Guitar in Shaded Edgeburst

£4,199.00
Out of Stock

FREE UK Delivery

Free & Next Day delivery to most UK locations when spending over £199

Earn 4199 Loyalty Points

You'll get £41.99 to spend on your next order.
Product Description

With its gorgeous grain, rich midrange voice and stunning appointment suite, the Next Generation K22ce 12-Fret Special Edition offers a fresh way to experience a beloved tropical tonewood. This Grand Concert boasts back, sides and top of solid Select-grade Hawaiian koa, which combine with scalloped V-Class interior bracing to produce a rich, sparkling midrange voice with exceptional articulation and open-string resonance. Koa's properties also give it a low-end character that will bloom with greater warmth and depth as the wood matures. Fingerstyle players in particular will appreciate the 12-fret configuration, which offers reduced string tension for a slinky, responsive feel. This model's visual details accent koa's natural beauty, including rosewood body binding with maple/black/maple edge trim, a single-ring rosette in rosewood and paua, a stained sycamore pickguard, legacy limited-edition fretboard inlays in paua, and a full-body shaded edgeburst finish.

12th Fret Neck Joint

Joining a guitar's neck to the body at the 12th fret has more of an impact on an acoustic guitar's tone than you may think. When a guitar features a 12th fret neck-to-body joint, the bridge has to be positioned much lower on the body than we would find on a ‘standard’ acoustic guitar. This new bridge position is actually considered by many as the ‘sweet spot’ for bridge placement, placing it right around the centre of the lower bout. This optimises vibration and tonal transfer and results in a richer and fuller sound with increased sustain, volume and dynamics. Up until the late 1920s/early ‘30s, guitars typically joined the body at the 12th fret. Manufacturers moved away from this design due to a rising desire among guitarists for easier access to the higher notes. The 12th-fret joint can also result in a more slinky feel overall, as well as a more comfortable playing experience due to the shorter neck.

Features
  • Long-Tenon Action Control Neck -The long-tenon neck joint improves the neck-to-body connection, adding warmth and depth to the guitar’s voice. At the same time, the Action Control feature makes adjusting string height quicker and more precise than ever — no need to remove strings or the neck. Players can dial in their preferred setup in seconds and adapt on the fly to changing styles or shifting climate conditions. It’s the ultimate fusion of tone, stability and setup convenience.
  • Scalloped V-Class Bracing - The latest evolution of Taylor’s V-Class bracing introduces a scalloped profile that unlocks a warmer low end and richer open-string resonance, while preserving the balance, pitch accuracy and projection that define V-Class. The guitars are now seasoned with a touch of low-end depth that adds more fullness to the voice.
  • Claria System Acoustic Electronics - Developed with extensive input from touring artists and live sound engineers, Taylor’s new Claria System reimagines the under-saddle piezo pickup to deliver consistent plug-and-play acoustic tone in any setting. A proprietary preamp tames the harshness of traditional piezos and incorporates soundhole-mounted controls: Volume, Tone and a versatile Mid-Contour knob. The result is a consistent, stage-ready tone that’s easy to shape for any setting — from solo café gigs to large-venue performances.
Specifications

Body

  • Body Shape: Grand Concert
  • Body Top: Select-grade Hawaiian Koa
  • Body Back: Select-grade Hawaiian Koa
  • Bracing: Scalloped V-Class Bracing 
  • Body Binding: Indian Rosewood (Body, Soundhole), Ebony (Fretboard)
  • Rosette: Paua/Indian Rosewood
  • Body Finish: Gloss

Neck

  • Neck: Mahogany
  • Fretboard: Crelicam Ebony
  • Fretboard Inlays: Mother-of-Pearl GA-LTD
  • Neck Finish: Satin

Peghead

  • Nut Width: 1-3/4”
  • Scale Length: 24-7/8”
  • Peghead type: Slotted

Other

  • Bridge: West African Crelicam Ebony
  • Pickguard: Dark-Stained Sycamore
  • Nut: TUSQ
  • Saddle: Micarta
  • Tuning Machines: Taylor Slot-Head Nickel, Ebony Buttons
  • Electronics: The Claria Acoustic Pickup System
  • Strings: D'Addario XS Coated Phosphor Bronze Light (.012 - .053)
  • Guitar Case: Taylor Deluxe Hard Shell Case