The Prologue is Korg's latest flagship analogue synthesizer; an ultimate multi-voice, multi-timbre and multi-engined keyboard synth available in 2 different versions. This one, the Prologue-16 offers 16 voices and 61 keys; so you'll be sure not to run out of track during a session with this beast.
The Prologue is the next generation step from Korg's hugely popular 4 voice minilogue and monophonic monologue. Korg have taken this well loved format and expanded it to create a flagship synth that can handle anything you throw at it. The Prologue's rich and vibrant tonal palette and gorgeous DSP-based effects can handle the demands of studio producers, home synth enthusiasts, stage performances and even a full tour. You'll love the simple and intuitive interface and delight at the huge kaleidoscope of sounds you can uncover.
- 16/8-voice analog synthesizer circuit.
- Newly developed multi-engine equipped with three types: noise, VPM, and user.
- High-quality digital effects.
- An open API (Application Programming Interface) for user-created oscillators and effects
- Newly developed L.F. COMP. (Low Frequency Compressor) analog effect (prologue-16 only).
- Bi-timbre support.
- Voice modes that allow voices to be flexibly recombined.
- Arpeggiator equipped with a variety of types and range settings.
- Program Sort allows rapid access to 500 programs.
- Japanese-made high-quality natural touch keyboard.
- Oscilloscope function shows the waveform visually.
- Tough and stylish body made of aluminum and wood.
- Sync with another groove machine to enjoy jam sessions.
- Lineup includes a 16-voice 61-key model and an eight-voice 49-key model.
Here's what Korg Say about the Prologue Synth
16/8-voice analogue sound
The prologue is a polyphonic analog synthesizer with 8 or 16 multitimbral voices. KORG’s analog synthesizer development in recent years has culminated in the prologue, which was designed using 11,000 discrete electronic components. Although the prologue is a flagship instrument, it still retains the inviting feel and accessibility of its predecessors. It features a pure analog path, impeccable sound quality, stunning presence unlike any other poly synth, and the same intuitive interface as the minilogue and monologue, granting you intuitive access to a vast world of analog synthesis.
The prologue uses a structure of 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to distinctive, original circuitry, such as wave shaping to shape the oscillator’s overtones and a sync/ring switch, prologue also features a two-pole low pass filter with enhanced sharpness, drive that adds powerful distortion, and a low cut (high pass) switch. Every detail has been improved on from minilogue and monologue. Its sound covers every sonic possibility: fat basses, powerful leads, and the beautiful pads that you expect from a polyphonic synthesizer.
Newly developed multi-engine
The ingenuity of prologue goes beyond its analog design. The newly developed multi engine is provided as VCO3, adding digital waveforms and FM. This multi engine, which is equipped with three different sound engines, can be combined with the analog VCOs to expand prologue’s sonic potential far beyond that of a traditional analog synthesizer.
There are four types of noise generator, indispensable for percussive sounds or sound effects. Experience how digital filtering can produce direct changes in the colour of the noise.
The VPM (Variable Phase Modulation) / FM oscillator was newly developed for prologue. Its metallic and sharp sounds with their complex overtones could never be obtained by analog means. With 16 types of oscillator and the SHAPE knob, you’ll be intuitively guided through complex sound design. Combine these wave shapes with Prologue’s gorgeous analog filters, and prepare for sounds you never thought possible.
The user oscillator section lets you load oscillator programs of your own creation. Sixteen slots are provided, and one type of morphing wavetable oscillator is built-in as a preset.
The high-quality digital effects feature pristine 24-bit floating-point processing, and add a further polish to the sound of the prologue. With two effect units provided (a modulation effect and delay/reverb), you can choose from a wide variety such as chorus or ensemble, warm tape delay, or diverse reverbs. The user effect slots let you load effect programs of your own creation.
The prologue offers an open API (Application Programming Interface) that allows to customize and extends the capabilities of the multi-engine and digital effects. It provides 16 user oscillator slots and 16 user effect slots, and you can use the dedicated librarian software (expected to be available for downloading around early spring 2018) to create your very own oscillators and effect programs, and load them into prologue.
What types of sound will you create by combining the expanded digital oscillators with analog synthesis? You can create original programs and share code to participate in the user community. Start with sample code provided by KORG. The prologue belongs to you.
The exclusive VU meter is available only on the prologue-16, and indicates the newly developed master effect L.F. COMP. It’s a low end booster/compressor using an analog circuit, delivering a solid sense of presence that cannot be obtained from a simple EQ. You’ll particularly notice the difference in high-volume stage performances where maximum dynamics can be utilized.
Preliminary Information – Specifications and features subject to change
The prologue is a two-timbre synthesizer that lets you play two different programs simultaneously. In addition to layer and split, you can use crossfade to smoothly transition between the main timbre and sub timbre. An ample 16 or 8 voices ensure that the player’s advanced performance needs will be met.
The prologue provides voice modes that let you freely combine the 16 or 8 voices for performance. The standard POLY mode lets you play chords with up to 16 or 8-note polyphony. MONO mode is ideal for bass using the sub-oscillator. UNISON allows you to generate thick lead tones by sounding all voices in unison. CHORD lets you play chords with one finger. In conjunction with the DEPTH knob, you can use these modes to obtain a variety of effects.
Four voice modes
- POLY: Operates as a poly synth with up to 16 or 8 voices. Turn the VOICE MODE DEPTH knob to switch to DUO mode, in which the instrument operates in unison as a poly synth with up to 8 or 4 voices.
- MONO: Operates as a mono synth with sub oscillator.
- UNISON: Operates as an all-unison mono synth.
- CHORD: Plays chords.
The powerful arpeggiator opens up a world of limitless inspiration. It provides a four-octave range, and six arpeggiator types including manual set. From phrases that could not be performed on a keyboard to sequence-like sound designs, the arpeggiator can play a versatile array of roles.
The program sort function lets you instantly change the sorting order of the 500 programs. You can sort by category, alphabetical order, use LIKE to view the programs that you marked as your favourites, FREQUENT to sort the programs in order of their frequency of use, or ENVELOPE to sort the programs in order of their envelope shape (note duration). By choosing from eight different sorting conditions, you’ll be able to quickly find the sound that you need, without interrupting the tempo of your rehearsal or production workflow.