The Moog Sub Phatty is the latest in a line of cool-yet-affordable synthesizers from Moog. Like the Slim Phatty and Little Phatty that preceeded it, the Moog Sub Phatty has great analog sounds. Thanks to the new Multidrive circuit on the Sub Phatty, and the extra dedicated sub oscillator, this synth has the teeth to make your tracks growl and snarl.
Featuring 25 synth action keys and 31 knobs on board, the Sub Phatty inspires you to experiment and control parameters live in real time whilst still giving a great performance. Presets help you recall sounds more accurately.
Whether it is the first Moog you own, or just another tool in your arsenal, the Moog Sub Phatty has something to offer all kinds of musician!
Here's what Moog say about the Sub Phatty
Say hello to the Sub Phatty, the grittiest Moog Synth ever.
Moog Music’s engineers have crafted the Sub Phatty’s oscillators to perform with extreme accuracy and require almost no warm-up time. Just power up, dial in your settings, and put your fingers to work on the keys to summon crisp and detailed waveforms, a vibrant and articulate sound that more than honors the rich sonic density synonymous with Moog creations.
The Sub Phatty is the first analog synth to feature Moog’s transformative new Multidrive section; at low settings Multidrive adds warmth and girth, but when pushed, it delivers a screaming snarl that is highly reactive to resonance, waveshape, and oscillator level. Experiment with this new circuit and unlock an undiscovered world of vivid analog tonalities.
The mixer section offers innovations of its own, including a sub oscillator that outputs a square wave one octave below Oscillator 1. Use this powerful tool as a third oscillator for added depth, or to craft your own customized incarnation of monstrous Moog bass. Also in the mixer section is a noise generator voiced to deliver low-frequency content, rich with body and punch. If your goal is to sculpt analog percussion and sound effects, look no further.
The Sub Phatty features a wide range of parameters just below the surface, and all features are easily accessible from the instrument’s front panel, or via the free standalone/plugin editor. Select filter poles, assign wave mod destinations, or specify pitch bend amounts — it’s all there.
The Sub Phatty brings a fearless new voice to the Moog family of synthesizers. With its streamlined interface and dynamic sound design flexibility, this new synth fuses an unparalleled connection between human & machine, opening the door to unprecedented sonic exploration.
- Sound Engine: Analog
- Number of Keys: 25
- Type of Keys: Semi-Weighted
- Other Controllers: Pitch Bend, Mod Wheel
- Polyphony: Monophonic
- Sound Sources: 2 Variable Waveshape Oscillators, 1 Square Wave Sub Oscillator, 1 Noise Generator
- Oscillator Calibration Range: 22Hz-6.8KHz.Guaranteed note range at 8’ of Note 18 to 116
- Mod Sources: Triangle, Square, Saw, Ramp, SH, Filter Envelope
- Mod Destinations: Pitch, Osc 2 Pitch Only, Filter, Waveshape
- Filter: Moog Ladder Filter 20Hz-20Khz
- Audio Input: 1xTS
- Audio Output: 1xTS, 1xTRS Headphone
- Presets: 4 Banks, 4 Patches Per Bank
- MIDI I/O: DIN In, Out, and MIDI over USB
- CV/Gate Inputs: Filter CV, Pitch CV, Volume CV, KB Gate
- Transposition: +/- 2 Octaves
- LFO: 0.1Hz-100Hz
Under the hood features
- Filter Velocity Sensitivity
- Volume Velocity Sensitivity
- Ext. Audio Level
- Osc2 Beat Frequency
- VCO Gate Reset
- LFO Gate Reset
- Pitch Bend Up Amount
- Pitch Bend Down Amount
- Glide Legato
- Glide Type
- Filter Poles
- Wave Mod. Destination
- LFO KB Tracking
- LFO Range
- Filter EG Reset
- Amp EG Reset
- Gate On/Ext.
- MIDI Ch. In
- MIDI Ch. Out
- Local Control
- 14-Bit MIDI Output
- MIDI Path In
- MIDI Path Out
- MIDI Merge DIN
- MIDI Merge USB