With big drum kits comes big responsibility. High toms need to sound punchy and robust, not small and weak. Low toms need to sound articulate and clear, not muddy or muffled. Black Chrome heads have got you covered. Their unique design accentuates the mid-to-low-end frequencies that small drums need to sound rich and deep to match the rest of your kit. Precise articulation and tight sustain let your low toms and floor toms sound naturally thunderous, clear and cavern-deep at any tension — no tape, rings or sticky messes required.
On stage and in the studio, Black Chrome heads really come alive. They are the tom microphones' best friends, requiring significantly less EQ'ing and tweaking than similar heads. So you can work less and play more with the deep tom sound you want.
Set includes: 10,12,16 tom heads
Basic Guide to heads
There are 2 kinds of head on each drum. The side that you hit is the batter head while the bottom skin is a resonant head.They come in single- or two-ply (1 or 2 layers of material) construction in a variety of materials and finishes.
You get an increased resonance and sustain with one-ply heads, while heavy hitting music can sound better on the heavier double-ply heads.
The drum head's thickness is another thing to consider. Thinner, single layer heads have a sensitive response, with bright, resonant sound and complex overtones.
Thicker single-ply heads are more durable and have a higher tuning range with less sustain and more attack than thinner heads.
Two-ply heads have less attack and a quicker decay for a focused tone. They can take a serious pounding so if you're slamming away with a double pedal this might be your best choice.
Some batter heads have a dot affixed to the top or bottom of the head to muffle excess ring. This gives you a more focused, drier sound. Some players still put a line of duct tape on to achieve this same effect but the results are unpredictable and it really spoils the look of the kit.
Note: If you use brushes you're going to want to stick with heads using dots on the head's underside to avoid snagging a bristle.
Drum heads with a white or black coating give a subtle muffling effect. Some have internal sound rings embedded around their outer perimeter to control excess ring.
Many jazz drummers put clear heads on the toms and a classic white-coated head on the snare drum, as the texture of a coated snare head sounds better with brushes. The bottom head on the snare drum is known as the snare-side head, a transparent, extra-thin head that maximizes response to the snare wires.
Bass Drum heads
Bass drum heads can include an internal dampening system on the batter head to provide a controlled sound and a port hole for improved tone and to make it easy to fit a mic. Port hole protector rings are also available to prevent your drum head from ripping or denting when fitting a mic.