Celemony Melodyne Studio 5 Update from Studio 3
Please note: this is an update from Melodyne Studio 3.
Here's What Celemony Say About Melodyne 5 Studio:
How you want to Work with Audio Today
Melodyne 5 studio is the complete Melodyne, with all Melodyne’s unique functions and possibilities. For professional vocal editing, choirs, instruments of all kinds, and samples. And with a multi-track workflow unsurpassed in terms of ease-of-use and musicality.
- Grammy Award-winning technology, including DNA Direct Note Access
- Exceptionally musical and intuitive note-based way of working
- The algorithms Melodic (with Sibilant Detection), Percussive, Universal, Polyphonic
- Multitrack Note Editing – edit multiple tracks in a single Melodyne window
- The complete Melodyne toolkit
- Macros for correcting intonation, timing quantization and leveling – even across tracks
- The Chord Track and Chord Grid with automatic chord recognition
- Tempo detection and editing
- The Sound Editor, offering unique control over tone colours
- Comprehensive functions for the editing of scales, tuning systems and temperaments
- Inspectors for quick access to all parameters
- Polyphonic audio-to-MIDI export
- Full compatibility: VST 3, AU, AAX, stand-alone
- Integration via ARA Audio Random Access (depending on the DAW)
- MacOS and Windows, 64-bit
- Current version: 5
New In Melodyne 5
New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.
Vocals, Now Even Better
Melodyne heightens its core competence. The “Melodic” algorithm used for vocals can now distinguish the un-pitched, noise-like components of a note – i.e. voiceless consonants (such as sibilants like “s”) and breath sounds – from its pitched components. Even when they coincide. And although all pitch and timing changes are implemented in the tried-and-tested manner as far as the pitched components are concerned, different rules that emulate accurately the natural behaviour of the human voice govern the handling of sibilants. So now when you are working with Melodyne, you obtain the highest possible sound quality and most natural-sounding results automatically.
Pros will be relieved to discover it’s no longer necessary to isolate each individual sibilant by hand. That saves a lot of time and makes for a more meaningful display in the Note Editor. At the same time, the results sound far better, as automation works more precisely and overlaps between sibilants and pitched components are taken into account.
Sibilant detection not only yields acoustic advantages but also new creative possibilities: With the Sibilant Tool, you can adjust the balance between the sibilants and the pitched components of a note. Sibilants can be attenuated, muted altogether, emphasised or even isolated – everything is possible. So, into the bargain, you get a perfect de-esser that only affects the problem areas and has no side-effects on other components of the vocal sound.
Modelled on Human Hearing
Why do some notes sound out of tune and not others? Fluctuations in pitch contribute to the quality of a vocal performance, because it is through them that passion and emotional complexity find expression. They give it, in other words, its human dimension. But for their contribution to be a positive one, the nature, scope and precise timing of such fluctuations is of crucial importance.
A note doesn’t necessarily sound sharp or flat just because it isn’t “spot on” mathematically. Just particular, often very brief segments of the note annoy us. Sometimes at the beginning, sometimes at the end, sometimes somewhere in between. It is these crucial segments that have to be perfectly in tune; if they are, the note will sound right to us. The presence of any fluctuations before or after to such segments doesn’t trouble us – to the contrary, we feel they add life to the performance and sound natural.
Melodyne now identifies these problem areas precisely, and the offset shown in the Note Inspector is calculated from the pitch of each note at the crucial moment only – not its entire lifetime. As a result, double-clicking (to set a note’s offset to zero) now yields precisely the right musical result. Also the macro profits from this new, even more musical approach: Each individual note is pitched to perfection. Yet everything still sounds natural and alive.
The Chord Track and Chord Grid
Work better with chords, adapt notes quickly. Melodyne 5 offers you a chord track that is linked to the Pitch Grid in the Note Editor. This makes working with chords far more enjoyable and harmonies more transparent. Because you can see at any time which pitches are compatible with the current chord and can adapt the notes accordingly with lightning speed. This is helpful when you’re altering chords, and if you want to match any sample harmonically to your music, it works like a dream.
Autopilot for chords. Melodyne’s chord recognition technology is so advanced, it can consider tracks apart or together – even the entire mix – and identify the chords formed when their notes are combined. It analyses your recordings fast and reliably and fills in the Chord Track automatically. This makes working with chords even easier.
Note-based fades. The Fade Tool gives you highly effective control over the dynamics of your recording. For each note individually. Even within a chord. This is unique and offers totally new creative possibilities for dynamic editing. And since in Melodyne the fades belong to the notes, they are automatically preserved when the notes are moved or copied.
Controlling the dynamic range. The Leveling Macro makes loud notes quieter and quiet ones louder, it adjusts volume disparities. Even – thanks to Melodyne technology – in polyphonic recordings. So if one or more notes in a chord are too quiet and being drowned out by the rest, you can raise them effortlessly to the desired level.
Further Algorithm Improvements
“Percussive Pitched”. This new algorithm was developed especially for instruments like tabla, berimbau or 808-kick, the notes of which – though percussive in character – still have a recognizable pitch.
“Robust Pitch Curve”. With this new option, you can obtain better sound quality when editing certain signals, such as those with a great deal of reverberation. When it is activated, the monophonic algorithms employ a pitch curve that has been slightly smoothed out.
“Complex”. This algorithm playback type has been improved and can now be used just as flexibly as the playback type “Tonal” concerning the formants.
Better keyboard shortcuts. New search function for keyboard shortcuts, the saving of personalized shortcut sets has been improved.
No more “.mdd” files. Melodyne’s detection data, which was previously saved to separate “.mdd” files, is now stored in the audio files themselves, making file directories clearer and the sharing of projects easier.
System requirements (for Melodyne 5 essential, assistant, editor and studio)
- macOS: Intel Dual Core processor (Quad Core or better recommended), 4 GB RAM (8 GB or more recommended), macOS 10.12 or higher
- Windows: Intel or AMD Dual Core processor (Quad Core or better recommended), 4 GB RAM (8 GB or more recommended), Windows 10 or higher, ASIO-compatible audio hardware
- Activation: computer-based or iLok USB dongle (second or third generation). Melodyne essential computer-based only. For the initial activation, Internet access is required.
- Interfaces: Plug-in operation via VST3, AU or AAX. ARA integration with compatible DAWs.
- Operating System
- WindowsMac OS
- Trade Doubler Group ID
Finance available at checkout for orders £300+