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Focusrite Scarlett 18i20 | 18 In 20 Out USB2 Interface

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SKU: MOSC0005

Product Description

 

The Focusrite Scarlette 18i20 is a powerful and full featured audio interface that will not leave you wanting! Complete with 8 high quality transparent mic pre-amps and premium analogue and digital circuitry, the Scarlett 18i20 could only have been made by the legends of studio outboard Focusrite.

Here's what Focusrite say about the Scarlett 18i20

Focusrite is pleased to announce the Scarlett 18i20, the latest in its popular series of high-quality USB 2.0 interfaces. It's designed to be your complete studio hub, and as such features enough inputs and outputs to record and mix a full band. With Focusrite's award-winning mic preamps and outstanding analogue and digital circuit design, it's capable of making pristine, studio-quality recordings. What's more, its contemporary style, with the same graphic identity as Focusrite's best-selling Scarlett 2i2 and 2i4 audio interfaces, makes it the perfect centrepiece of your studio.

With 18 inputs and 20 outputs in total, Scarlett 18i20 gives you eight critically acclaimed Focusrite microphone preamps with switchable phantom power. Precision 24-bit/96kHz A-D/D-A converters deliver exceptional dynamic range to ensure pristine recordings. The analogue mic/line inputs are fitted with combination XLR/jack input sockets, and connections for channels 1+ 2 are on the front panel and offer additional Hi-Z instrument modes and a switchable 10dB pad. An additional eight channels of digital I/O (four channels at 88.2/96kHz) are provided via ADAT lightpipe, with S/PDIF providing an additional stereo digital input and output. Dual independent headphone outputs let you set up separate mixes for the engineer and the artist, while a dedicated monitor section, with dim and mute buttons, provides comprehensive control over your studio monitors.

Scarlett 18i20 ships with a feature-packed software suite, including Ableton Live Lite music production software. Record audio and MIDI, and run VST audio instruments and effects, such as the compressor, reverb, gate and EQ processors included in the Focusrite Scarlett plug-in bundle. Novation's Bass Station soft synth is also included, plus over 1GB of royalty-free Loopmasters samples.

  • Eight award-winning Focusrite mic preamps with front-panel meters With switchable phantom power, up to 60dB of gain, plus pad and instrument switches on channels 1+ 2.
  • Precision 24-bit/96kHz A-D/D-A conversion Professional dynamic range ensures pristine, studio-quality audio recordings.
  • Compatible with Mac, PC and iPad Uses the latest USB 2.0 streaming technology with stable, reliable drivers to provide outstanding performance on both Windows and Macintosh computers, and even iPad (requires the Apple Camera Connection Kit - no drivers required!)
  • 18 inputs, 20 outputs Enough inputs and outputs to handle day-to-day studio tasks effortlessly, along with the expandability to cope with an entire band or a complex drums setup.
  • Dual headphone outputs and comprehensive monitor control Send separate, near-zerolatency cue mixes to artist and producer with Scarlett Mix Control, and control the level of your studio monitors quickly and easily from the Scarlett 18i20 front panel.
  • Complete software bundle Including Ableton Live Lite music software, the Focusrite Scarlett plug-in suite, Novation's Bass Station soft synth and 1GB of Loopmasters samples.
  • About Focusrite microphone preamps: Over 25 years in the making Inside every Focusrite mic preamp is DNA that can be traced back to the mighty Forté and Studio recording consoles manufactured by Focusrite in the 1980s. It's thanks to over 25 years of mic preamp design that the Scarlett 18i20 can deliver unsurpassed quality and give you truly professional results in your home or project studio.
Specifications
Brand
Focusrite
Analogue Outputs
No
Analogue Inputs
No
Connectivity
No

Customer Reviews

4.7

6 reviews

Value

Looks

Durability

Sound

Trusted Customer17th Jan 2016

I also put this review on Am***n by the way!. Bought to replace an M-Audio fast track pro which to be fair had done many years of service and managed to keep going even on windows 10 64 bit. However I wanted to be able to permanently plug in my external synths neatly to the back of an interface (so Presonus was out as its sockets are all on the front) as well as have a couple of inputs on the front for mic and guitar. Also wanted zero latency monitoring. Sound is clean and much more 3-D than my old M-Audio - really noticeable actually! Installation was a bit of a faff as you have to separately install the freebee stuff as well but its worth it as it comes with some useful high quality compression/eq/reverb plugins. Drivers have been trouble free. Live and recorded playback of the line inputs sounds really nice a rich balanced sound indistinguishable from the original. I can't really comment on the mic preamps as I haven't spent any decent amount of time trying to record vocals and guitar yet but they work :-) I did have some trouble with setting levels on the mic but that will probably come with experience of using the interface. Get this into your head if you buy it. THE MIXER SOFTWARE IS JUST FOR MONITORING. Recording levels into your computer are all set by the gain knobs on the front panel. I really would have liked some built in effects a la Presonus, RME and Steinberg but the RME 802 and Steinberg ur824 were way more than I wanted to pay. I did look at the Steinberg ur44 but would have been another box cluttering up my desk and only has 4 line inputs on the rear and I wanted 6 for 3 x stereo input. That is a nice unit though and the steinberg/Yamaha preamps get a lot of praise plus it has built in effects. Not sure why its so much cheaper than the ur824 actually! Anyway a quick look on the web and I found an article on how to add reverb/delay from your daw still with effectively zero latency. You monitor the dry vocals in zero latency from the mixer software (you have to turn the DAW fader on the vocal track to zero so you don't get an echo of the same vocal with latency) but ALSO add a send of that DAW vocal track to a software effect PRE FADER and then monitor the effect (fully wet) mixed with your original zero latency dry vocal. Reverbs have pre delay on them anyway so a few ms latency on the reverb is irrelevant! Just a few notes on reaper with this : you have to set the record "arm button" on the faded vocal track so it picks up the vocal and the same on the effect track or nothing will get sent out to the mixer software for the effect. You also have to set the little toggle to monitor recorded vocals on both the tracks (I think that's the default anyway).I guess this won't work for anything where the latency on the effect is important such as compression. That's where the steinberg would gain some points....

Trusted Customer29th Jun 2015

Perfect, works fine, thanks!

Trusted Customer4th May 2015

Does exactly what I need very well and should see me through the planned expansion

Trusted Customer26th Oct 2014

Very occasional freezes, hopefully will be cured with an update.

Trusted Customer2nd Aug 2014

Very good value for the money

Trusted Customer14th May 2014

Item works very well, I am pleased.

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