Roland BluesCube Tone Capsule New York Blues

Description

Roland have just announced another amazing tone capsule that can be used in conjunction with any Blues Cube Artist, Stage or Tour amp and it’s called the New York Blues.

It was designed closely with jazz/fusion guitarist Oz Noy who’s known for his unique playing style and his love for British EL84-type tube amps. It will turn your blues cube into a different beast altogether and that’s the beauty of the Tone Capsules.

Even though they’re shaped like valves, they don’t have that technology in them at all but they change parameters within the Blues Cube circuit, re-shaping the tonal image of the amp. You can literally re-voice the whole amp sound with a Tone Capsule.

It started with EJ

The first Tone Capsule released was the limited edition Eric Johnson capsule which instantly gave you access to his bright clean tones, and warm distorted sounds. It turned out to be so popular that Roland decided to come up with a few more and have since released others like the:

  • Robben Ford Tone Capsule
  • Ultimate Blues Tone Capsule (Designed with Kirk Fletcher)

New York Blues Sound

The tone achieved by using this new Tone Capsule is probably what you would refer to as Class A however it still retains elements of the American Tweed sounds that you get from the Blues Cube.

It will give you that classic chime, even at lower volumes but with a sweeter top-end than normally found on tweed-style amps.

The tone capsule really takes things up a notch when you go over to the drive channel though. You get a fat, punchy mid-range with lovely dirt in the top-mid that sounds amazing with singlecoil as well as humbucking guitars. Almost as if you cranked a British Tube amp into that much sought-after break-up.

As the name would suggest, it’s perfect for blues but will easily get you into alternative rock and indie territory too.

Why have one?
Having a Tone Capsule in a Blues Cube is like having 2 completely different amps that both do entirely different sounds, but in one enclosure. It’s not like having 2 different channels because the clean channel will change as well as the dirty channel.

Here's what Roland say


A Dynamic New Voice for the Blues Cube Amp Series

Developed under the supervision of NYC guitarist Oz Noy, the New York Blues Tone Capsule brings yet another expressive voice to the Blues Cube amp series. It takes the amp into the realm of the traditional British EL84 combo—often referred to as the “class A sound”—while still offering fundamental elements of the Blues Cube’s American tweed heritage. Voiced for classic chime at lower settings, the Clean channel becomes sweeter, creamier, and more overdriven as the volume is cranked. Switching to the Crunch channel kicks in a bolder tone with thicker midrange that’s perfect for rock rhythms and fat lead solos. Dynamic and versatile, the New York Blues Tone Capsule delivers a unique tonal fusion that captures the international diversity of the New York City music scene. 
“What we all like about tube amps is that you have this compression, and that’s what kind of keeps the tone moving. And this has it big time. It's great.”—Oz Noy
Compatible amplifiers: Blues Cube Artist, Blues Cube Artist212, Blues Cube Stage, and Blues Cube Tour.

Re-voice your Blues Cube amp with the feel and response of a traditional British EL84 tube combo.
High-Impact Tones, Tuned by Oz Noy 
Oz Noy’s eclectic fusion of jazz, rock, and blues styles embodies the diverse musical melting pot of New York City. Roland engineers first got in touch with Oz during the development of the Blues Cube Artist and Stage, and his suggestions helped dial in the stock crunch tones in those amps. He also played the Blues Cube Tour and Cabinet 410 before its release, and was very impressed with the amp’s overall tones, transparent effects loop, and lightweight, easy-to-carry design.

For the New York Blues Tone Capsule, Roland enlisted Oz to help fine-tune its tone and feel for maximum expression on stage. Setting up at the famous Germano Studios in New York, the guitarist played his trademark Stratocaster and worked tirelessly with the Roland engineers to dial in every note to his satisfaction. For the final test, Oz used the completed Tone Capsule (installed in a Blues Cube Tour head) at his regular nightclub gig in Greenwich Village, and he loved the results.

“It feels like a tube amp,” Oz relates. “It feels great—compressed the right way. It doesn't feel too cold. It reacts really well with an instrument, which is the most important thing when you play a guitar amp, really. If it doesn't react the right way, then it's very hard to play. It's not even about the tone; it's about how it reacts. It's like the air between the amp and the guitar. What we all like about tube amps is that you have this compression, and that’s what kind of keeps the tone moving. And this has it big time.”

He also praised the way the amp and Tone Capsule work with pedals. “To me, it's really important that the amp is going to react well to pedals, because a lot of my lead tones come out of pedals and not from the amp,” Oz said. “So it's really important that the amp doesn't get squashed too much or get too cold. It has to be kind of the point where it's loud enough and clean enough that whatever gain I push into it, it'll hold it. And this thing's great.”

Inspired by the tonal voice of classic British combos powered by EL84 tubes, the New York Blues Tone Capsule provides all the characteristics those amps are noted for, including glassy clean chime, creamy power tube distortion, and a distinctive presence that cuts through any band mix. With the Blues Cube’s wide-ranging gain and tone controls, players can also dial in sounds that bring a hint of the Blues Cube’s original American tweed-flavored midrange and overdrive into the mix.

The New York Blues Cube Tone Capsule works with the Blues Cube Artist, Blues Cube Artist212, Blues Cube Stage, and Blues Cube Tour amplifiers. Oz favors the Tour head paired with the matching Cabinet 410. “I just like the way this cabinet sounds,” says Oz. “It really sounds very, very big. I'm a big fan of the old vintage amps that have four 10s in them. I just like that sound, and I use this and it sounds huge.”

Tone Capsule Expansion: Instantly Customize the Sound of Your Blues Cube Amp
Driven by Roland’s innovative Tube Logic design, the Blues Cube amplifier series captures the musical sound and inspiring feel of classic tube guitar amps with complete authenticity. One of the many benefits of Tube Logic is the ability to instantly change the amplifier’s voicing via a Tone Capsule socket on the chassis. Developed in direct collaboration with the world’s finest guitarists, the growing lineup of Tone Capsules allow you to easily customize your Blues Cube with the tone and touch preferences of these master players.

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