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PRS S2 McCarty 594 Singlecut in Elephant Grey

Accessible & authentic humbucking tones with classic McCarty aesthetics

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SKU: S9M2F2HVIB2EY

Product Description

Vintage style meets modern PRS construction. The S2 McCarty 594 Singlecut edges closer towards a retro look than what you might already be familiar with from PRS, but this gorgeous guitar still incorporates their incredible construction techniques and push/pull coil split for access to both humbucker and single coil tones.

Construction

A mahogany body and neck with a figured maple top provides the foundation for the traditional feel McCarty. Its patented 24.594-inch scale length neck means jumping between the 22 frets is fast and silky smooth. Combined with the Pattern Vintage neck shape, the McCarty is a robust agile instrument with a familiar touch of old school design.

The hardware here is faultless. You're getting the trusted hard tail PRS Two-Piece bridge and Vintage-Style tuners to keep your sound up to scratch. 

Sound

This is where the magic happens. The McCarty is equipped with two 58/15 “S” humbuckers, a personal innovation of Paul Reed Smith in the pursuit of great tone. 

These are classic low output pickups, delivering exceptional clarity and a focused midrange. The bridge position 'bucker has a boosted treble, while the neck pickup has a wider balanced frequency range. Pull the coil split knob to access those glorious vintage single coil sounds.

Specifications

Body & Neck

  • Top Wood: Maple
  • Back Wood: Mahogany
  • Number of Frets: 22
  • Scale Length: 24.594”
  • Neck Wood: Mahogany
  • Neck Shape: Pattern Vintage
  • Fretboard Wood: Rosewood with Faux-Bone Binding
  • Fretboard Inlay: Birds
  • Gigbag: included

Hardware & Electronics

  • Bridge: PRS Two-Piece
  • Tuners: Vintage-Style
  • Hardware: Type Nickel
  • Truss Rod: Cover McCarty 594
  • Treble Pickup: 58/15 “S”
  • Bass Pickup: 58/15 “S”
  • Controls: Two Volume and Two Push-Pull Tone Controls with 3-Way Toggle Switch on the Upper Bout
Cian Hodge author picture

Written by Cian Hodge

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