Antelope Audio Goliath HD Gen 3 Thunderbolt & USB Audio Interface

The Goliath HD Gen 3 is every bit as titanic as its name suggests. Expertly engineered by the eggheads over at Antelope Audio, this interface can tackle absolutely any live or studio situation head on. Featuring premium AD/DA converters, 64-channels, Thunderbolt/USB connectivity and an extremely impressive 136dB dynamic range, this behemoth is one of the most powerful and versatile audio interfaces available on the market.

Wide-Ranging Connectivity

You’ll struggle to find connection options like this elsewhere. The well-rounded I/O contains 16 mic preamps, 8 instrument inputs, 2 analogue inserts, plus another 16 analogue inputs. 32 analogue outputs, 2 headphone outputs, 2 transformer ReAmp outs and AES, MADI, ADAT, S/PDIF, Thunderbolt, USB and HDX connections enhance it even further. Not to mention the rest of the connectivity options outlined below!

Flexible Setup

Thanks to Thunderbolt 2, USB 3.0 and optional HDX connectivity, the Goliath can be integrated with any DAW you may have installed on your Mac or Windows machine. It will thrive in pretty much whatever compatible configuration you are running with.

Edge Duo Modelling Mic

As part of your purchase, you’ll receive the excellent Edge Duo modelling mic. This large diaphragm condenser is characterised by its high-quality recordings of both instruments and vocals. It picks up every nuance and detail of your source, capturing them in extreme clarity. Its also possible to emulate a selection of classic microphones; 11 variants are available in total, each of which has been replicated in great detail using their original counterparts.

Extensive FX Library

Utilise 69 real-time studio FX and take your recording, mastering and mixing to the next level. Select from timeless compressors and EQ’s, cutting-edge mic preamps, useful utility effects and incredible sounding amps and cabinets. All of these essentials are available right at your fingertips!

Studio-Grade Workflow

Enjoy artefact-free digital audio, courtesy of a crystal oscillator and an innovative, 64-bit AFC jitter management architecture. Combine this with latency-free direct monitoring across 4 dedicated internal mixers (boasting 32 assignable inputs/stereo outputs) and you’ve got yourself sound that was previously only available to the best professional studios.  

High-Quality Construction

Everything about the design and build of the Goliath is intended to improve your user experience, while simultaneously making sure that it remains sturdy and reliable. Each model is meticulously handmade in Europe, delivering the industry standard experience you’ve come to expect from Antelope Audio.

Use the touchscreen to immediately reference your gain adjustments, metering, and other important details. The main panel remains streamlined too – ensuring the level and monitor indicators stay front and centre and can be easily accessed.

Kit Includes

• Goliath HD | Gen 3
• Edge Duo Modelling Microphone

Key Features

• 136dB dynamic range D/A monitor out conversion pushes digital audio to its near-limits
• Latency-free direct monitoring over 4 independent monitoring mixers
• FPGA powered engine with 69 included real-time audio effects
• Pro Tools HD & HDX support over 2 Mini HDX Ports 32 channels I/O per port
• 16 channels Class A Mic preamps with accusonic mic modeling technology
• 64 channels of synchronous I/O stream over Thunderbolt 2,or USB 3 up to 192kHz, 24-bit
• Oven Controlled Crystal Oscillator with 64-Bit AFC Technology
• 32 channels of independent analog outputs over DB25
• 128 channels of MADI I/O up to 48 kHz with (MADI to Dante support) as well as AES, ADAT, S/PDIF I/O digital connections
• Multi-functional touch-screen display for signal monitoring and function control
• Powerful digital routing matrix with LAN control
• Handcrafted in Europe

Specifications

Analog

Analog Inputs

• 16 × Mic/Line Universal inputs on XLR Combos (among which 4 × Hi-Z)
• Gain 0.10-65dB. 124dB DNR, -112dB THD
• 2 × D-SUB (16 channels +20dBu max, 11.2 kOhms, 124dB DNR)

Analog Outputs

• 4 × D-SUB (32 channels, +24dBu, 56 Ohms, 129dB DNR, -115dB THD)
• 1 × Monitor Out pair TRS ¼ Jacks (136dB DNR)
• 2 × Stereo Headphone outs on TRS ¼ Jacks
• 2 × Reamp outs on TRS ¼ Jacks

D/A Monitor Converter

• Dynamic Range: 136 dB
• THD + N : -115 dB
• Quad D/A Mono Structure

A/D Converter

• Dynamic Range: 124 dB
• THD + N: -112 dB

D/A Converter

• Dynamic Range: 129 dB
• THD + N: - 117dB

Analog Inserts

• 2 × A/D Inserts on TRS ¼ Jacks
• (dedicated to rear universal inputs 1 and 2)

Digital

Digital Inputs

• 2 × Fiber Optic MADI (up to 64 channels each)
• 2 × ADAT (up to 8 channels each)
• 1 × S/PDIF on RCA (2 channels)
• 4 × AES/EBU on D-SUB 25 (8 channels)

Digital Outputs

• 2 × Fiber Optic MADI (up to 64 channels each)
• 2 × ADAT (up to 8 channels each)
• 1 × S/PDIF on RCA (2 channels)
• 4 × AES/EBU on D-SUB 25 (8 channels)

USB I/O

• USB 3.0 Type B connector
• (64 channels up to 192kHz)

Thunderbolt

• 1 × Thunderbolt (64 × 64 channels I/O)

HDX /Optional Activation

• 2 × Mini HDX connectors
• (32 channels I/O each)

Clocking

Atomic Clock

• 1 × 10M Input @ 75 Ohms 1Vpp on BNC

Word Clock Input

• 1 × Input @ 75 Ohms 3Vpp on BNC 32-192kHz (can be used for HDX Loop Sync)

Word Clock Outputs

• 2 × Outputs @ 75 Ohms 3Vpp on BNC 32-192kHz (can be used for HDX Loop Sync)

Clocking System

• 4th Generation Acoustically Focused Clocking
• 64-bit DDS
• Oven controlled crystal oscillator

Sample Rates (kHz)

• 32, 44.1, 48, 88.2, 96, 176.4, 192

Other

Operating Temperature

• 0-50°C/32-122°F

Weight (Approx)

• 6.8 kg/ 15 lbs

Dimensions (Approx)

• Width: 48 3mm / 19”
• Height: 81 mm / 3.2”
• Depth: 279 mm / 11”

Power Consumption

• 40 Watts Max