We’ll bet you never thought you needed a polyphonic Model D – until now. Behringer have turbo-charged their Model D formula with 4-voice polyphony, a 37-note full-size keybed, stereo chorus and much more! Please form an orderly queue…
- Quadruple VCO design with authentic Model D fatness
- 4-Voice polyphonic design with mono, unison and polyphonic mode
- 37 semi-weighted full-size keys featuring velocity functionality
- Authentic reproduction of original transistors and JFETs
- Pure analog signal path based on authentic VCO, VCF and VCA designs
- 5 variable oscillator shapes with variable pulse widths for ultimate sounds
- Classic 24 dB ladder filter with resonance for legendary sound performance
- Amazing stereo chorus based on the authentic circuitry of the Juno 60 synthesizer
- Multiple-stage Delay based on legendary BBD (Bucket Brigade Delay) technology
- Distortion circuitry modeled after the DS-1 adds insane spice and edge to your sounds
- Easy-to-use voltage controlled 32-step sequencer with 64 sequence locations
- Arpeggiator with wide patterns for great sound effects
- Switchable low/high pass filter mode for enhanced sound creation
- Dedicated and fully analog triangle/square wave LFO
- Noise generator dramatically expands waveform generation
Yep, this is still the same gloriously warm Model D sound – but you get 4 voices instead of just 1. This timeless sound has been favoured by countless artists over the years, including Chick Corea, Rick Wakeman and Keith Emerson to name a few.
Behringer have painstakingly created the Model D’s legendary tone, using a quadruple VCO design with reproduced original transistors and JFETs and that 24dB ladder filter. By adding extra voices, this is no longer a bass/lead synth – it’s a fully-fledged analog workstation. Killer!
Added Effects & Sequencing Tools
It’s clear that Behringer know what the people want – who wouldn’t want a 4-voice Model D? But they’ve taken it a step further and equipped the Poly D with effects and intuitive sequencing tools. This unit pays homage to classic synth sounds in its own crazy way.
With distortion modelled on the DS-1 and stereo chorus modelled on the Juno 60. This immediately takes the velvety Model D tones into uncharted territory; add your desired amount of crunch and broaden your leads, basslines and chords with luscious warmth. All things considered, this is a polysynth that combines the best of a bunch of things – get excited.