Gibson Joe Bonamassa ES335 in Vintage Sunburst V.O.S

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Introducing a signature VOS 335 from a living blues legend: The Gibson Joe Bonamassa ES-335. This strictly limited edition 335 lives up to the specifications of Joe's own 51-year-old 335, and delivers the same, gritty, warm, vintage tone that you hear on those irresistible blues licks that could only be Bonamassa.

The guitar, as you would expect, has a spec fitting of a blues legend. Bonamassa's own 50-year-old 335 is recreated in the most spectacular way including 57 Classic pickups, a VOS wiring harness, spliced maple sunburst veneer top, and a perfectly recreated neck designed to sit just a little thinner than the well-known rounded '59 neck profile - exactly as Joe himself specified it.

The other aspects of Gibson's VOS process like hardware and bodywork aging, all contribute to the fantastic Bonamassa tone.

Only a handful of these VOS guitars will be produced, so if you are interested, please don't hesitate in giving us a call.

Specifications

  • Top: Spliced Plain Maple/Poplar/Maple 3-ply
  • Back: Spliced Plain Maple/Poplar/Maple 3-ply
  • Binding: Cream
  • Neck: 1 Piece Mahogany
  • Fingerboard: 22 Frets in Rosewood
  • Inlay: Mother of pearl dots
  • Headstock: Holly wood head veneer with Mother of Pearl 'Gibson' and Crown inlay
  • Volume/Tone: 2 CTS Violume potentiometers; 2 CTS Tone and a 3-way pickup selector toggleswitch
  • Tuners: Vintage single-line tulip button Tonepros tuners
  • Bridge: ABR-1 Bridge
  • Tailpiece: Nickel Lightweight Aluminium Stop Bar
  • Pickups: Nick '57 Classics
  • Knobs: 3 Gold Top Hats w/ Silver Tone and Volume inserts and a Rhythm Tone Gold Top Hat
  • Finish: Bonamassa-specific Vintage Sunburst with VOS treatment
  • Collateral: Custom Shop Certificate of Authenticity & Custom Shop Case
 
  •  

    Looking for something different to my trusty USA Fender Strat I eventually found this beautifully made ES335. The attention to detail is amazing and I can't fault the finish.

    I spent a lot of time comparing the standard cherry ES335 to this Bonamassa model. Both play extremely similar. I'm not a fan of 'worn' guitars and appreciate that Gibson made this in the same vein of a guitar of it's age rather than deliberately damaging it. In the end between the two guitars it was the Bonamassa pickups that swung it for me.

    Jonathan > read review

    Looking for something different to my trusty USA Fender Strat I eventually found this beautifully made ES335. The attention to detail is amazing and I can't fault the finish.

    I spent a lot of time comparing the standard cherry ES335 to this Bonamassa model. Both play extremely similar. I'm not a fan of 'worn' guitars and appreciate that Gibson made this in the same vein of a guitar of it's age rather than deliberately damaging it. In the end between the two guitars it was the Bonamassa pickups that swung it for me.

  •  

    I've played 'em all, and this is one of the best guitars I've ever played (and now owned....), at any price. It rings, sings, snarls. It is completely lacking the usual Gibson mid-range porridge that the standards usually have – very tonally balanced, and it’s not overly gained either, like many (which makes it much easier to manage in a stage rig that includes Fenders too) - just lots of hair, snarl, punch and grit when you need it. Very articulate, very versatile – much more versatile than my (also high-spec) Les Paul. At 7.7lbs, its also pretty darned light for a 335, 2 whole pounds less than the USA standard ‘dot gloss’ it just replaced. The stripped back VOS finish plays a large part in that, letting everything breathe much better, giving it a much airier sound – yes it looks a bit rusticated - which forum people are complaining about whilst missing the point- just listen to the difference it makes before you turn your nose up! Having said that, I liked this guitar a lot better than the other top-end VOS reissues i tried that cost £600+ more. The neck profile, in particular, is a real delight on this model. Meaty but easy to manage - the best of both worlds; just perfect! And it looks better and more distinctive than other reissues too. They all still have the usual Gibson snagging issues (wonky truss rod covers, uneven neck binding...) but that's part of the hand-made Gibson charm. I played two, side by side, and they were both fabulous, so the consistency is there. But each had its own little quirks, and the sunburst was much brighter on one of them, so there are definitely some finishing variations (i actually much preferred the darker, more subtle one, and that’s the one I bought). But the tone and buttery playability seem to be very consistent across different examples. The price is a steal really, given it’s not a significant stretch over a Dot standard and they are worlds apart in terms of being real, 'raw connection', players' instruments. The forum snobs moaning and rolling eyes on the web about the JB signature are completely missing the opportunity that this guitar represents. Their loss! Ok, on the face of it, it is a slightly random JB association, which figured precisely zilch in my purchase decision. But put that aside, and this is a real stunner with a uniquely satisfying spec sheet as 335s go, and I suspect that’s really why JB wanted them put out there. Try before you decry! Snap 'em up while you can people - proper, proper, old school guitar, with a super specification, at a really keen price.

    DrJ > read review

    I've played 'em all, and this is one of the best guitars I've ever played (and now owned....), at any price. It rings, sings, snarls. It is completely lacking the usual Gibson mid-range porridge that the standards usually have – very tonally balanced, and it’s not overly gained either, like many (which makes it much easier to manage in a stage rig that includes Fenders too) - just lots of hair, snarl, punch and grit when you need it. Very articulate, very versatile – much more versatile than my (also high-spec) Les Paul. At 7.7lbs, its also pretty darned light for a 335, 2 whole pounds less than the USA standard ‘dot gloss’ it just replaced. The stripped back VOS finish plays a large part in that, letting everything breathe much better, giving it a much airier sound – yes it looks a bit rusticated - which forum people are complaining about whilst missing the point- just listen to the difference it makes before you turn your nose up! Having said that, I liked this guitar a lot better than the other top-end VOS reissues i tried that cost £600+ more. The neck profile, in particular, is a real delight on this model. Meaty but easy to manage - the best of both worlds; just perfect! And it looks better and more distinctive than other reissues too. They all still have the usual Gibson snagging issues (wonky truss rod covers, uneven neck binding...) but that's part of the hand-made Gibson charm. I played two, side by side, and they were both fabulous, so the consistency is there. But each had its own little quirks, and the sunburst was much brighter on one of them, so there are definitely some finishing variations (i actually much preferred the darker, more subtle one, and that’s the one I bought). But the tone and buttery playability seem to be very consistent across different examples. The price is a steal really, given it’s not a significant stretch over a Dot standard and they are worlds apart in terms of being real, 'raw connection', players' instruments. The forum snobs moaning and rolling eyes on the web about the JB signature are completely missing the opportunity that this guitar represents. Their loss! Ok, on the face of it, it is a slightly random JB association, which figured precisely zilch in my purchase decision. But put that aside, and this is a real stunner with a uniquely satisfying spec sheet as 335s go, and I suspect that’s really why JB wanted them put out there. Try before you decry! Snap 'em up while you can people - proper, proper, old school guitar, with a super specification, at a really keen price.

  •  

    I've played 'em all, and this is one of the best guitars I've ever played (and now owned....), at any price. It rings, sings, snarls. It is incredibly lively and completely lacking the usual Gibson mid-range porridge that the standards usually have – very tonally balanced, and not overly gained either, unlike many standards (which makes it much easier to manage in a stage rig that includes Fenders too) - just lots of hair, snarl, punch and grit when you need it. Very articulate, very versatile – much more versatile than my (also high-spec) Les Paul. At 7.7lbs, its also pretty darned light for a 335, 2 whole pounds less than the USA standard ‘dot gloss’ it just replaced. The stripped-back VOS finish plays a large part in that, letting everything breathe much better, giving it a much airier sound – yes it looks a bit rusticated - which forum people are complaining about whilst missing the point- just listen to the difference it makes before you turn your nose up! Having said that, I liked this guitar a lot better than the other top-end VOS reissues i tried that cost £600+ more. The neck profile, in particular, is a real delight on this model. Meaty but easy to manage - the best of both worlds; just perfect! And it looks better and more distinctive than other reissues too. They all still have the usual Gibson snagging issues (wonky truss rod covers, uneven neck binding...) but that's part of the hand-made Gibson charm. I played two, side by side, and they were both fabulous, so the consistency is there. But each had its own little quirks, and the sunburst was much brighter on one of them, so there are definitely some finishing variations (i actually much preferred the darker, more subtle one, and that’s the one I bought). But the tone and buttery playability seem to be very consistent across different examples. The price is a steal really, given it’s not a significant markup over a 'Dot gloss' standard and this is worlds apart in terms of being real, 'raw connection', players' instrument. The forum snobs moaning and rolling eyes on the web about the JB signature are completely missing the opportunity that this guitar represents. Ok, on the face of it, the JB association is not an obvious one, and it figured precisely zilch in my purchase decision. But put that aside, and this is a real stunner with a uniquely satisfying spec sheet as 335s go, and I suspect that’s really why JB wanted them put out there, modelled on one of his favourite axes. Try before you decry! Snap 'em up while you can people - proper, proper, old school guitar, with a super specification, at a really keen price.

    doc > read review

    I've played 'em all, and this is one of the best guitars I've ever played (and now owned....), at any price. It rings, sings, snarls. It is incredibly lively and completely lacking the usual Gibson mid-range porridge that the standards usually have – very tonally balanced, and not overly gained either, unlike many standards (which makes it much easier to manage in a stage rig that includes Fenders too) - just lots of hair, snarl, punch and grit when you need it. Very articulate, very versatile – much more versatile than my (also high-spec) Les Paul. At 7.7lbs, its also pretty darned light for a 335, 2 whole pounds less than the USA standard ‘dot gloss’ it just replaced. The stripped-back VOS finish plays a large part in that, letting everything breathe much better, giving it a much airier sound – yes it looks a bit rusticated - which forum people are complaining about whilst missing the point- just listen to the difference it makes before you turn your nose up! Having said that, I liked this guitar a lot better than the other top-end VOS reissues i tried that cost £600+ more. The neck profile, in particular, is a real delight on this model. Meaty but easy to manage - the best of both worlds; just perfect! And it looks better and more distinctive than other reissues too. They all still have the usual Gibson snagging issues (wonky truss rod covers, uneven neck binding...) but that's part of the hand-made Gibson charm. I played two, side by side, and they were both fabulous, so the consistency is there. But each had its own little quirks, and the sunburst was much brighter on one of them, so there are definitely some finishing variations (i actually much preferred the darker, more subtle one, and that’s the one I bought). But the tone and buttery playability seem to be very consistent across different examples. The price is a steal really, given it’s not a significant markup over a 'Dot gloss' standard and this is worlds apart in terms of being real, 'raw connection', players' instrument. The forum snobs moaning and rolling eyes on the web about the JB signature are completely missing the opportunity that this guitar represents. Ok, on the face of it, the JB association is not an obvious one, and it figured precisely zilch in my purchase decision. But put that aside, and this is a real stunner with a uniquely satisfying spec sheet as 335s go, and I suspect that’s really why JB wanted them put out there, modelled on one of his favourite axes. Try before you decry! Snap 'em up while you can people - proper, proper, old school guitar, with a super specification, at a really keen price.