Bose L1 System T1 ToneMatch Audio Engine Mixer

Part of the award winning high-quality portable L1 modular PA system

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£439.00

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Bose L1 System T1 ToneMatch Audio Engine Mixer

T1 ToneMatch audio engineDigital multichannel mixer designed for use with Bose L1 sound systems


Features over 100 proprietary ToneMatch presets for instruments and microphones

Includes Bose zEQ, storable scenes and a suite of studio-class effects
Presets and firmware updates available free online

Powerful multichannel sound tools for Bose L1 systems, with controls so advanced they adapt to you and your instrument. Four-channel engine features proprietary ToneMatch presets, intelligent zEQ and a large suite of professional-quality effects and processors.

The T1 ToneMatch audio engine is designed to enrich the sound of musicians using any Bose L1 system. Its powerful features and tone-shaping tools quickly bring you closer to the true sound of your voice and instruments. This versatile digital mixer helps you sound your best in live performances. It expands the input capacity of your L1 system and gives you instant access to a host of proprietary EQ presets, standard effects and processors.

Hundreds of sonic refinements-instantly
The ToneMatch audio engine puts our largest library of customized presets at your command. These ToneMatch presets instantly adjust your sound system to match the intended natural sound of popular instruments and microphones. So you reproduce factory-specified tonal balance-precisely and at the touch of a button.

Different presets can be independently assigned to the engine's four channels. For example, select Audix OM5 mic presets for channels 1 and 2, Taylor guitar for channel 3 and Lakland bass for channel 4-all at the same time.

Our engineers continually work with manufacturers to expand the ToneMatch preset library. Updates are available to you free, with easy downloading via the engine's USB port.

Intelligent equalization: zEQ
Fine-tune your sound system with greater accuracy. Bose intelligent zEQ redefines low, mid and high ranges for each ToneMatch preset. When you need to cut or boost specific frequency ranges for different instruments and mics, zEQ gives you the power.

Suite of effects and dynamics processing
Globally assign one of five different reverbs to each mic/line channel. You can also choose from three delay types, ten additional effects, and seven dynamics processors-and assign them independently to each channel.

Custom scenes
Store your customized settings for specific gigs with the Scenes feature. The engine comes with five predefined Bose scenes and ten you can define. Fast, one-touch scene recall helps you make quick work of repeat setups.

Easy connections
Simply link the engine to a Bose L1 Model II system via the included digital cable-and rev it up. A sleek bracket is also included to attach the engine to the loudspeaker. For easy connection to a Model I system, use an analog cable and a T1 power supply.

Features Integrated ToneMatch audio engine and audio technologies provide four independent channels featuring our largest library of ToneMatch instrument and microphone presets, proprietary zEQ and a complete suite of studio-class effects and sound processors.

 Proprietary ToneMatch presets optimize L1 system to match intended natural sound of specific instruments and vocal mics. Over 100 presets are organized into quick-access banks and can be independently assigned to each channel. Free ongoing updates via USB connection between your computer and ToneMatch audio engine.

 Proprietary zEQ automatically adjusts the range of tone controls to match your voice or instrument, making it easier to fine tune your sound. Conventional mixers may have fixed EQ ranges that don't accurately affect desired frequencies when adjusted. But zEQ appropriately redefines low, mid and high frequency ranges of specified sources.

Single-band ParaEQ centers on frequency you specify for each independent channel. Valuable tool for reshaping problematic frequencies in certain venues.

Five reverb types (small, medium, large, plate and cavern) available for global assignment, with individual channel controls for decay time, mix level and brightness.

Three delay types (analog, digital and tape) can be independently assigned to selected channels, with control over feedback time and mix level for each channel. For example, you can select tape delay for your vocal on channel 1 and analog delay for your guitar on channel 2.

Ten modulation effects (three chorus types, two flange types, four phaser types and one vintage tremolo effect) can be independently assigned to selected channels, with control over designated parameters for each channel.

Seven dynamics processing types (three compressors, limiter, de-esser, kick gate and noise gate) can be assigned to independent channels.

Scenes allow you to store, recall and edit "snapshots" of all key ToneMatch audio engine settings at any given time. This feature helps simplify setup when you're using an L1 system repeatedly in different venues. The engine includes five predefined Bose scenes, five My scenes and five Shared scenes you can give to other L1 owners.

Chromatic tuner for convenient tuning of instruments.

Large backlit display with intuitive layout and easy-to-read text for modes and settings.

Rotary encoder for quick access to modes, effects and parameters, including ToneMatch presets, zEQ, ParaEQ, reverbs, delays, modulators, dynamics processing, scenes and tuner. Features clean, circular layout.

Aux mode (channels 1 - 3) send channels' dry, pre-fader or post-fader audio to aux output for connection to additional L1 systems or recording devices. Independent level controls for optimal signal output.

Channel volume, mute and FX mute (1 - 4/5) for adjusting individual channel volume, muting individual channels and muting all effects on selected channels.

Master volume adjusts overall level of master output.

Phantom power applies +48V power to input channels 1 - 3 to drive specific microphones.

ToneMatch cable provides audio signals and power to ToneMatch audio engine from power stand.

Mounting bar and carriage for securely attaching ToneMatch audio engine to L1 Model I or Model II loudspeaker.

Cover and carrying case help protect engine when storing and transporting.


Compatible products

L1 Model I system
L1 Model II system 


 Model II system wins the Red Dot Award

The Model II system has won the prestigious Red Dot Award for product design. Awarded to products with high quality design and "expressing innovation and function in an exemplary manner", this award just goes to prove what we knew all along - the L1 system is a product that is set to revolutionise the sound reinforcement industry!

Reviews of the Model II system

"No matter which instrument I plugged into the T1, I could very easily get a sound that I was happy to use."

Acoustic Magazine

Read the review here

 

 
  •  

    Has to be the Best designed all round system for the solo artist and duo - even disco. Sound Quality "different" from tradditional PA but far superior..Excellent

    Matt > read review

    Has to be the Best designed all round system for the solo artist and duo - even disco. Sound Quality "different" from tradditional PA but far superior..Excellent

  •  

    Bose L1 System T1 ToneMatch Audio Engine Mixer is so easy to carry around. and very useable.

    Mr. Vedat Denizci > read review

    Bose L1 System T1 ToneMatch Audio Engine Mixer is so easy to carry around. and very useable.

  •  

    I'm using the Tone Match paired up with the Bose L1 Compact system. I run an electro-acoustic and a telecaster through it, plus 2 x vocal mics (SM58). I really like the sound modeling and the ability to choose the guitar or mic type being DI'd. There are plenty of sounds available and it's easy to set up personal preferences and call them up during gigs. My only minor criticisms are that it would be nice to be able to choose a different type of reverb for each channel within a 'scene' such as a large hall for the guitar channel and then say a plate reverb for vocal, but this isn't possible, as the type of reverb is applied to all channels - you just have to reduce the levels if you don't want it to be as prominent. It would also be better if it was possible to mount the Tone Match on the speaker pole of the L1 Compact like one can on the full size version of the L1. However, I've mounted mine on my pedal board and it works out much neater for cable routing. Other than those minor issues, I love it.

    Mr. Andrew Crowle > read review

    I'm using the Tone Match paired up with the Bose L1 Compact system. I run an electro-acoustic and a telecaster through it, plus 2 x vocal mics (SM58). I really like the sound modeling and the ability to choose the guitar or mic type being DI'd. There are plenty of sounds available and it's easy to set up personal preferences and call them up during gigs. My only minor criticisms are that it would be nice to be able to choose a different type of reverb for each channel within a 'scene' such as a large hall for the guitar channel and then say a plate reverb for vocal, but this isn't possible, as the type of reverb is applied to all channels - you just have to reduce the levels if you don't want it to be as prominent. It would also be better if it was possible to mount the Tone Match on the speaker pole of the L1 Compact like one can on the full size version of the L1. However, I've mounted mine on my pedal board and it works out much neater for cable routing. Other than those minor issues, I love it.

  •  

    Wow! Fantastic sound, easy to set up. The whole thing just screams quality, but hey this is Bose!

    Ms N King > read review

    Wow! Fantastic sound, easy to set up. The whole thing just screams quality, but hey this is Bose!

  •  

    I have chosen to purchase the Bose system in Guildford UK

    rather than Paris where I reside because of the care Andertons staff take in offering after sales assistance and technical explanatory advice be it in store or by phone.

    I personally have been very satisfied with the help I received from staff member Ben.

    David Herridge, Paris 08.04.20

    Mr D Herridge > read review

    I have chosen to purchase the Bose system in Guildford UK

    rather than Paris where I reside because of the care Andertons staff take in offering after sales assistance and technical explanatory advice be it in store or by phone.

    I personally have been very satisfied with the help I received from staff member Ben.

    David Herridge, Paris 08.04.20